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課程名稱 |
文化產業專題
Seminar on Cultural Industries |
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開課學期 |
102-1 |
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授課對象 |
生物資源暨農學院 生物產業傳播暨發展學研究所 |
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授課教師 |
賴守誠 |
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課號 |
BICD7089 |
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課程識別碼 |
630 M3170 |
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班次 |
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學分 |
3 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期二6,7,8(13:20~16:20) |
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上課地點 |
生傳423 |
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備註 |
本課程中文授課,使用英文教科書。
總人數上限：10人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
This course aims at creatively exploring, researching, or intervening cultural industries, with special emphasis on rural cultural industries. The culture industry primarily referred to the industrialization and commodification of the process of symbolic production and circulation in toto. Against the backdrop of a flourishing cultural economy, this course is designed to understand culture industries, not just in terms of manipulation and domination through the industrialized commodity, but as far more complex fields in which a subtle configuration of communication, innovation, creativity, and restructured power relationships are emerging. This course traces the key theorisations of the culture industries and then introduces students to contemporary debates in major areas of rural cultural industries, including food, festivals and tourism. In this way, the course will map out the vital two-ways transitions between theory and practice and address the complex dialectic of the ‘culturalization’ of economy and the ‘economization’ of culture. |
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課程目標 |
This course aims at creatively exploring, researching, or intervening cultural industries, with special emphasis on rural cultural industries. The culture industry primarily referred to the industrialization and commodification of the process of symbolic production and circulation in toto. Against the backdrop of a flourishing cultural economy, this course is designed to understand culture industries, not just in terms of manipulation and domination through the industrialized commodity, but as far more complex fields in which a subtle configuration of communication, innovation, creativity, and restructured power relationships are emerging. This course traces the key theorisations of the culture industries and then introduces students to contemporary debates in major areas of rural cultural industries, including food, festivals and tourism. In this way, the course will map out the vital two-ways transitions between theory and practice and address the complex dialectic of the ‘culturalization’ of economy and the ‘economization’ of culture. |
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課程要求 |
1. 成績評定(Course Evaluation)：
(1) 課間作業 30% (2)課堂報告40% (3) 期末報告30%
2. 課程作業(Course Requirements)：
(1) 摘要與習題（心得）：摘要與心得：每週上課需固定繳交約各九百字(+-100)的(1)本週閱讀摘要（在內文中需說明閱讀文獻之核心關注或中心問題）與(2)每週課程習題（心得）。關於摘要與心得寫法，請參閱《臺灣社會研究季刊》等學術期刊書評。
(2) 期末作業：學期末須繳交(1)四篇報告文獻的全文翻譯，與(2)一篇約八千字以涵蓋上述文獻之主題為中心的相關文獻評介或專題報告。文獻評介需將讀物融會貫通後，以自己的詮釋來再現和評論，切勿是條列式或零碎化，或僅節錄讀物內容；必須是有條理的鋪陳和論述。關於文獻回顧評介，請參閱《臺灣社會研究季刊》等學術期刊長篇評論或研究紀要。
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
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參考書目 |
1. Adorno, Theodor W. and Horkheimer, Max. 1997. Dialectic of Enlightenment. London: Verso.
2. Anheier, Helmut K and Isar, Yudhishthir Raj. Edited. 2008. Cultures and Globalization: The Cultural Economy. London: Sage.
3. Benjamin, Water. 1970. “The Work of Art in the Age of Mechanical Reproduction”. In: Illuminations . London: Fontana.
4. Callon, Michel., Millo, Yuval., and Muniesa, Fabian. Edited. 2007. Market Devices (Sociological Review Monographs). Oxford: Blackwell.
5. Castells, Manuel. 2000. The Rise of the Network Society. 2nd Ed. Oxford: Blackwell.
6. Caves, Richard. 2000. Creative Industries: Contracts between Art and Commerce. Cambridge, MA: Harvard University Press.
7. De Sola Pool, Ithiel. 1984. Technologies of Freedom. Cambridge, MA: Harvard University Press.
8. Debord, Guy. 1995. The Society of the Spectacle. New York: Zone Books.
9. Garnham, Nicholas. 1990. Capitalism and Communication. London: Sage.
10. Hartley, John. Edited. 2005. Creative Industries. Oxford: Blackwell.
11. Hesmondhalgh, David. 2002. The Cultural Industries. London: Sage.
12. Lash, Scott and Urry, John. 1994. Economies of Signs and Space. London: Sage.
13. Marcuse, Hebert. 1991[1965]. One Dimensional Man. Boston: Beacon Press.
14. Miege, Benard. 1989. The Capitalization of Cultural Production. New York: International General.
15. Venturelli, Shalini. 2000. From the Information Economy to the Creative Economy: Moving Culture to the Center of International Public Policy. Washington: Centre for Arts and Culture.
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評量方式
(僅供參考) |
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